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The Bible of the Beasts of the Little Field

"I was born unacquainted, the beasts say," writes the poet, who in poem after poem proceeds to acquaint us with our most primitive fears and dreams in a world still primordial. But these poems also accomplish the miracle of transmuting ordinary life into something rare by revealing its secret dimensions.
The poems in The Bible of the Beasts of the Little Fiel, Susan Fromberg Schaeffer's fifth collection, are rooted in landscape and weather. Their images are so closely bound to the natural cycles of seasons and generations that it is surprising to realize how many deal with isolation and the indifference of the natural world to our own lives.

"Why is love so difficult?" asks the poet, yet she is deeply saddened when she must "take time out to mourn" the slightest of earth's creatures. The poems create a unique mythology, familiar and yet profoundly the author's own. Everything she touches turns to legend. When the poet writes, "It took cunning to drape the spaces, hold the voices back," we realize that much more than cunning was needed to write these poems.

DARKNESS

Prince of Darkness,
You lift your cloak,
And all is black, no birds

Sing there.
Everywhere,
There are black flowers
And strange, thin shapes

Who pick them and drift off,
Dark arms full of blossoms.

They rustle like paper
And that is the single sound.

There is no weather,
Just a chill, a dampness.

No paths to follow
Toward your lake
Whose other side is light,

Whose depth
Drowns all swimmers,
And the women

Drift incessantly,
Burdened black
With narcissi,

Each less visible
Than a shadow
Among the many moving shades.

"Susan Fromberg Schaeffer is that rarity, a fine novelist and poet...Each poem exemplifies intelligence, heightened and transmitted through vivid imagination, brilliant imagery, and remarkable formal integrity. How she can sustain such power, poem after poem, makes one marvel at her craft."
POETRY Magazine

"In our common fate Schaeffer has found the thread that runs through disparate lives, beliefs, and generations."
Chicago Review

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